It was composed in 1830/1832 and published in 1833 it is also dedicated to Marie Pleyel, a lovely pianist of the period. Its development is paradoxical in its torrential gracefulness. It is an exercise in lyricism and delicacy. 3 - AllegrettoThis nocturne is obscure and rarely performed. It was composed in 1830/1832 and published in 1833 it is also dedicated to Marie Pleyel. The left hand figuration is similar, and both have cadenza-like passages toward the end. 2 - AndanteThis nocturne resembles the style of Field’s Nocturne No. This piece was composed in 1830/1832 and published in 1832/1833 it is dedicated to Marie Pleyel, the wife of publisher and virtuoso pianist Camille Pleyel. The irregularity of the rhythmic patterns is one aspect of Chopin’s style of ornamentation that continues to find varied expression in later works such as Op. This first work immediately confirms the character of the nocturne. They were composed-in part-in Vienna and completed in Paris. 9), which appeared over the period of December 1832 to June 1833. 1 - LarghettoThe first of Chopin’s works to be published in France, Germany and England were these nocturnes (Op. Chopin, in his poetic Nocturnes, sang not only the harmonies which are the source of our most ineffable delights, but likewise the restless, agitating bewilderment to which they often give rise. Only one genius possessed himself of this style, lending to it all the movement and ardour of which it was susceptible.
We have seen the shy, serenely tender emotions which Field charged them to interpret, supplanted by strange and foreign effects.
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